Open Call – In Isolation

IN ISOLATION: YOU, ME, WE

 

The Lucie Foundation is proud to present its second Open Call in partnership with Musée Magazine and Sony. This Open Call features 40 photographers from around the world in four categories: Portrait, Documentary, Fine Art and Landscape.

 

The 10 photographers featured in the Fall 2020 issue of Musée Magazine are:

Snezhana von Büdingen (portrait), Jim Eyre & Natalie Christensen (landscape), Jim Krantz (portrait), Anna Malgina (portrait), Monia Marchionni (portrait), Aly Song (documentary), Marvin Systermans & Raisa Galofre (portrait), F.Dilek Uyar (documentary), Eddy Verloes (fine art), and Devin Yalkin (documentary).

Congratulations to Snezhana von Büdingen (Cologne, Germany), winner of the Sony camera and lens for her portrait titled Sofie with her mother Barbara.

 

 

 

 

 

 

 

 

Thank you to our partner Sony for their contribution and generosity.

ONLINE EXHIBITION OF THE 40 FINALISTS

TOP 10 IMAGES IN EACH CATEGORY

Documentary

F.Dilek Uyar / Ankara, Turkey

Aly Song / Shanghai, China

Devin Yalkin / Brooklyn, NY, USA

Yulia Grigoryants / Yerevan, Armenia

Alexandra Dinca / Saint-Etienne, France

Louise Amelie & Aljaz Fuis / Berlin, Germany

Md. Iqbal Hossain / Dhaka, Bangladesh

Bruno Alencastro / Três Coroas, Brazil

Sarah Pabst / Buenos Aires, Argentina

Florence Goupil / Lima, Peru

Portrait

Snezhana von Büdingen / Cologne, Germany

Anna Malgina / Pordenone, Italy

Jim Krantz / Los Angeles, CA USA

Monia Marchionni / San Giorgio, Italy

Marvin Systermans & Raisa Galofre / Barranquilla, Colombia

Mohammad Rakibul Hasan / Dhaka, Bangladesh

Nikola Tamindzic / New York, NY USA

Sara Camporesi  Forlì, Italy

Aline Smithson / Los Angeles, CA USA

Dellfina Dellert & Luka Lukasiak / Warsaw, Poland

Documentary Category
Documentary Category
Scroll through to see the finalists.
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Mohammad Rakibul Hasan / Dhaka, Bangladesh
Mohammad Rakibul Hasan / Dhaka, Bangladesh
The Last Savings - Aklima (35) is standing with her one and half year-old daughter Suborna in their one bed-room slum house. She sends her three children in the village as they are unable to manage food for the family now. Every morning she along her rickshaw-puller husband and child only drinking water. With little food left she can only cook once a day.

The world is at risk of widespread famines caused by the coronavirus pandemic. The impact of global economic devastation caused by Covid-19 has already declared as the worst humanitarian catastrophe since the Second World War. The number suffering from hunger could go from 135 million to more than 250 million. For Bangladesh it has become a human and food crisis catastrophe both.

The sufferings of approximately 7 million slum dwellers around Dhaka city are multiplying due to fall in income and price hike of consumer goods. There is hardly any food supply left in low income people’s houses, let alone ensuring cleanliness. Most slum dwellers living in different parts of the capital no longer worrying about the virus and its infection but what worries them is hunger as they cannot go out for work. Their empty food storage and remaining little food supply cannot save them from starvation and hunger in coming days.
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Fine Art

Eddy Verloes / Boutersem, Belgium

Mieke Douglas / London, UK

Gavin Smart / Edinburgh, Scotland, UK

Carlo Pettinelli / Rome, Italy

John Wright / Billericay, UK

Angelika Kollin / Cape Town, South Africa

Bradly Dever Treadaway / Brooklyn, NY USA

Ruben Tomas / Los Angeles, CA USA

Alp Peker / İzmir, Turkey

Ioanna Natsikou / Berlin, Germany

Carlo Pettinelli / Rome, Italy
Carlo Pettinelli / Rome, Italy
37.4 - 37.4 degrees is the limit temperature with which you are officially declared ""healthy"". At 37.5 ° you enter the anti-Covid-19 control field (you cannot enter the workplace and in all those places where the temperature control at the entrance is in force).
This is our life in these strange days and looking at the world with new eyes seems to be an obligatory path, to be taken with decision, not so much as a defense from the invisible (for that there are norms and common sense), but for understand our time.
Staging a new kind of view is one of the possible paths: no longer (or not only) a world of light but a world of body temperatures, phosphorescent yellows, deep reds, intense violet.
Giving a new contour to things by replacing light with temperature. Giving color to fear from a new point of view, to be able to look at it. The spectrum of human sight aligns with other frequencies, those of the virus. Suddenly we can see our souls.

Note: the photographs were taken with a thermal camera, which combines the thermal spectrum with the visible image with a dual camera.
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Landscape

Natalie Christensen and Jim Eyre / Jim Eyre, UK and Natalie Christensen, USA

Laura Hedien / Grayslake, IL USA

Matthew Portch / Melbourne, Australia

Ina Otzko / Sandnessjøen, Norway

Meg Roussos / Bainbridge Island, WA USA

Sossi Madzounian / Tarzana, California USA

Ryan Bakerink / Chicago, IL USA

Mark Benham / Bath, UK

Sharon Harkness / Santa Barbara, CA USA

Christopher Burns / Baton Rouge, LA USA

Sossi Madzounian / Tarzana, California USA
Sossi Madzounian / Tarzana, California USA
Beauty In The Midst Of Chaos - “MAGICAL”
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JURORS 

Maggie Steber

Documentary Photographer, member of VII Photo Agency

Gerd Ludwig

Documentary Photographer, National Geographic

Andrea Blanch

Founder and Editor-in-Chief, Musée Magazine

“One of the great things about judging a competition during this shut down period is that it’s like taking a walk and getting to see a large number of things you wouldn’t get to see on any regular walk. That is the case with the Lucie  Foundation photo competition entitled In Isolation: You, Me, We…. because you suddenly feel so very liberated and that, indeed, we are in this together.” – Maggie Steber, Juror

 

 

“I was impressed with the high quality of entries—it was hard to judge with so many wonderful images. I enjoyed the diversity of styles and perspectives represented, and was personally drawn to images that had a strong emotional quality, in which photographers shared their passion and communicated their very personal point of view.” – Gerd Ludwig, Juror

This Open Call is in partnership with Musée Magazine and Sony.